02.-10.03.2025.
As part of preparations for her upcoming solo exhibition at the Museum of Modern and Contemporary Art (MMSU), scheduled for November 2025, Jelena Jureša is returning to Rijeka for a residency at Kamov.
The MMSU will host a solo exhibition by Jelena Jureša, a visual artist, lecturer, and researcher based in Belgium. Jureša’s art practice addresses issues of identity, the politics of memory and oblivion, the relationship between the observer and the observed, and the representational power(lessness) of images. She primarily works in the mediums of film and video installation. The exhibition will showcase her recent works, including video, video installations, and experimental audiovisual practices, featuring 3 to 4 audiovisual pieces, some of which will be presented for the first time in Croatia.
The plan is to use the time spent in residency to prepare for the exhibition, primarily focusing on the installation and spatial arrangements for multimedia film/video installations, as well as collaborating on accompanying discursive programs.
In addition to preparing for the exhibition, the final version of the installation/film Don’t Take It Personally is being completed. This new work by Jelena Jureša, which will have its Croatian premiere at the exhibition in Rijeka, reflects on subtle changes in individual and group behavior during periods of social upheaval. The work explores a spectrum of human responses, from the banality of evil to complicity, all through the lens of human indifference. Using a longue durée approach, Jureša explores social cleavages by linking the present moment to historically and culturally significant movements like the Northern European Renaissance and the ‘Dutch Golden Age’—a period marking a novel social order closely intertwined with the history of capitalism, colonialism, the rise of private property, and individualism. Drawing on two excerpts from Dubravka Ugrešić's book of essays The Age of Skin, the piece is a collaborative endeavour involving Dutch-Indonesian tap dancer and musician Marije Nie, as well as Croatian composers and musicians Alen Sinkauz and Nenad Sinkauz.
The residency is being carried out in collaboration with KASK School of Art Ghent.